芝加哥艺术馆有一个石雕棺材板

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芝加哥艺术馆有一个石雕棺材板

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#1 帖子 resso »

也是讲冥王抢女人的故事,不过是罗马人当时的雕刻,也非常震撼

 

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Re: 芝加哥艺术馆有一个石雕棺材板

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resso 写了: 05 4月 2024, 01:07

也是讲冥王抢女人的故事,不过是罗马人当时的雕刻,也非常震撼

你咋没贴几张照片,让大家提高提高嘛

 

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Re: 芝加哥艺术馆有一个石雕棺材板

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就是这个封面,我很喜欢的雕刻之一。不过和贝尼尼差距很大
https://www.artic.edu/interactive-featu ... -sculpture

 

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Re: 芝加哥艺术馆有一个石雕棺材板

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StillWandering 写了: 05 4月 2024, 12:00
resso 写了: 05 4月 2024, 01:07

也是讲冥王抢女人的故事,不过是罗马人当时的雕刻,也非常震撼

图片

Panel from a Sarcophagus Depicting the Abduction of Persephone Date:
190-200
Artist:
Roman

EXPERIENCE

This panel—once the long side of a sarcophagus, or coffin––depicts the abduction of the maiden Persephone by Hades, the Greek god of the underworld. On the left, Demeter, the Greek goddess of the harvest, drives a chariot in search of her daughter. Kneeling in front is Persephone, who looks upward in the moment before her abduction. On the right, Hades flees with the girl thrown over his shoulder.

While searching for her daughter, Demeter stopped cultivating the land, and a great famine ensued. The supreme god Zeus intervened, commanding Hades to release Persephone so that Demeter might restore fertility to the earth.

Before doing so, Hades tricked Persephone into eating pomegranate seeds, which required that she return to the underworld for part of every year.

The theme of death and regeneration is central to this myth. In the Greek and Roman worlds, it explained the changing seasons and the agricultural cycle. When Persephone descended to the underworld, the earth lay fallow. When she returned, abundance was restored.

The myth was also considered appropriate for the decoration of a sarcophagus: to be taken by Hades was a popular metaphor for death itself.

学无止境啊

 

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